To read the original article in full go to : How to create the blackest black ever known – from nature to nanotechnology.
Below is a short summary and detailed review of this article written by FutureFactual:
Ultra-Black: From Vantablack to Nature-Inspired Nanostructures
Overview
This post accompanies a National Gallery podcast on Black and draws from The Conversation to chart how humanity has pushed the darkness envelope from charcoal in prehistoric art to engineered ultra-black materials. It explains how modern nanotechnology uses structured, pigment-free designs to absorb nearly all visible light, and how nature has long mastered similar tricks through geometry and morphology.
- Ultra-black materials approach near perfect light absorption, guided by nanostructured surfaces.
- Vantablack and vertically aligned carbon nanotubes are iconic examples with dramatic visual effects.
- Biomimicry in deep sea and avian systems shows how geometry can suppress reflections and boost perceived darkness.
- Applications span astronomy, microscopy, spectroscopy, and space engineering, with ongoing materials research to improve durability and manufacturability.
Ultra-Black: The pursuit of perfect darkness
The article traces the long and evolving story of black, from its cultural associations as a symbol of status and power in Renaissance Europe to Planck’s theoretical work on blackbody radiation. It then moves into the contemporary era, where scientists are pushing past pigments toward engineered ultra-black surfaces that absorb almost all visible light. The centerpiece is carbon nanotube based systems, such as Vantablack, which consist of densely packed, vertically aligned nanotubes forming a labyrinth that traps photons. In practice, these materials can render reflections nearly invisible, collapsing contours into two dimensional silhouettes. This shift marks a move from pigment-based darkness to architecture-based absorption, where the design of the surface itself controls light interaction.
Nature’s dark designs as inspiration
Nature hosts its own ultra-black solutions long before human fabrication. Deep sea fish have skin that soaks up light, leveraging delicate surface architectures to suppress scattering and become nearly invisible to predators. Birds of paradise take a different route: ultra-dark spots in their plumage, when paired with iridescent colors, exaggerate depth and brightness in surrounding tones. The common thread is geometry, morphology, and topology—patterns like ridges and tilted barbules that force light to bounce within a network of microstructures rather than escape. The article notes reflection values as low as 0.05–0.31%, rivaling engineered metamaterials in performance and suggesting robust design principles for artificial ultra-black coatings.
From biomimicry to nanotechnology
Modern ultra-black coatings emulate natural strategies using nanotechnology. Labs engineer densely packed carbon nanotube forests that act as optical traps, creating materials whose light-absorption can surpass natural surfaces in specific contexts. These structures are not just about color but about controlling how light enters and remains trapped, reducing textures and enhancing the perception of voids. The application spectrum is broad: telescopes line interiors with ultra-dark coatings to minimize stray light in astronomy; high-resolution imaging and spectroscopy benefit from reduced glare; and thermal management improves as light absorption translates to heat handling in space-bound systems and electronics.
Applications and challenges
The article highlights practical uses across multiple domains, including astronomy, microscopy, spectroscopy, and quantum sensing. It also discusses how coating durability and industry compatibility have advanced, with waterborne carbon nanotube composites achieving absorption above 99.9% while meeting automotive and aerospace durability needs. A notable social dimension is the debate over exclusive artistic access to Vantablack, which catalyzed ongoing development of alternative ultra-black materials and broader access to researchers and artists alike.
The journey ahead
Ultimately, the darkest blacks are defined not by pigments but by engineered architectures that trap and silence photons with remarkable efficiency. The ongoing convergence of biology-inspired design and scalable manufacturing points toward a future where ultra-black surfaces are more robust, affordable, and widely implementable, enabling clearer views of faint cosmic signals and sharper observations of the micro world.
